Through the years, there have been many groups in gospel music that never received the recognition that they so rightly deserved. A group that fits this mold is the Deep South Quartet. Although they were one of the finest groups from the 1950s, few are the fans that remember this fine group. The alumni of the Deep South Quartet features many famous singers in the history of gospel music, but the group itself has never received much critical acclaim.
Jimmy Jones was the leader of the Deep South Quartet. Jimmy had a storied career in gospel music prior to forming the Deep South Quartet. He was the bass singer and stand-up bass guitarist with the Melody Ranch Boys. Doy Ott was another member of this group. The group performed western swing music in addition to their gospel fare. Jimmy was also a member of the Swanee River Boys for a short time.
In early 1951, several members of the Rangers Quartet were involved in a tragic automobile accident. Shortly after the accident Jimmy was contacted and asked to fill the slot of legendary "basso profundo" Arnold Hyles while he recovered from his injuries. Jimmy remained with the Rangers for several years until Arnold Hyles recovered and returned to the quartet. When Arnold returned, Jimmy sang baritone for the Rangers for a short time before departing the group to form the Deep South Quartet.
Atlanta had become the central location for gospel music in the 50s. Jimmy moved to the Atlanta area and hired several seasoned quartet veterans to sing with him in the Deep South Quartet. The baritone slot was filled by Jimmy's brother, Brownie Jones. Jimmy and Brownie gave a strong foundation to this new quartet.
Cat Freeman had previously sung with several groups including the Statesmen Quartet and the Blackwood Brothers. He had a unique tenor voice, and fit the group quite well. After his tenure with the Deep South Quartet, he continued to sing many other groups including the Revelaires and the Oak Ridge Quartet. He later returned to the Statesmen to fill the tenor position at the passing of Denver Crumpler. Cat was an excellent choice for the Deep South Quartet.
Bob Crews, another quartet veteran, was the first lead singer for the Deep South Quartet. He had previously spent time with the All-American Quartet and had spent the last few years prior to joining the Deep South Quartet as lead singer with the Harmoneers Quartet.
The group hired another quartet veteran, Wally Varner, to play piano. Wally may be best known for his time with the Blackwood Brothers, but he was already famous in gospel music circles for his skills demonstrated with the Melody Masters Quartet and the Homeland Harmony Quartet.
This group became quite popular on the quartet circuit. Freeman, Crews, Varner and the Jones brothers formed a very solid entity. However, their recording output was limited to six songs released on the Deep South Quartet label.
Soon, changes in the group personnel began to take place. Bob Crews left the group to sing with other Atlanta-based groups before he returned to the Harmoneers. Wally Varner and Cat Freeman both joined another Atlanta-based group, the Revelaires. Cat Freeman, always a versatile singer, joined the Revelaires as the baritone singer.
Jimmy then hired two men to replace the three that had departed. Kermit Jamerson joined the group as tenor. He later spent several years with the Kingsmen Quartet from Asheville, North Carolina. Jimmy had previously spent time in the Rangers Quartet with David Reece, and knew of David's versatility as both pianist and vocalist. Thus, the Deep South Quartet became a four-man group with David doing double duty as pianist and lead vocalist. This group consisting of Kermit Jamerson, David Reece, Brownie Jones, and Jimmy Jones also recorded six songs on the Deep South label. Jimmy and David were both comfortable with the four-man group, as they had quite a bit of experience with this aggregation in the Rangers Quartet.
When David Reece left the group, he returned to his home state of North Carolina where he joined the newly formed Harvesters Quartet. The Harvesters were made up of several members of the now defunct Crusaders Quartet: Bill Hefner, Buddy Parker, and Hershel Wooten along with David Reece and Pat Patterson. The pianist of the Crusaders Quartet, Vickie Matthews, moved to Atlanta and became a member of the Deep South Quartet, filling the position vacated by David Reece.
The group hired Lewis McKinney to sing lead for a short time. He was replaced by Tommy Rainer. Tommy formerly sang baritone with the Revelaires Quartet. Several of the Deep South Quartet's most popular songs featured Tommy's unique vocals. He was known as having one of the finest lead voices in gospel music at the time. When Tommy left the Deep South Quartet, he sang with the Homeland Harmony Quartet, another group from the Atlanta area, until they retired from the road.
When Dickie Matthews left the quartet, he was replaced by Bob Robinson. Bob had a very unique piano technique, and was also a talented vocalist. Before joining the Deep South Quartet, he was pianist and vocalist with the LeFevres. Bob was also an original member of the Sons of Song.
When Kermit Jamerson left the group, Jimmy Jones offered Bobby Clark his first professional job in gospel music. Bobby is a veteran of several gospel quartets including the Oak Ridge Quartet, Weatherford Quartet, and Dixie Echoes. He is probably best known as the original first tenor for the Cathedral Quartet. Unfortunately, the group of Clark, Rainer, Jones, Jones, and Robinson never made any recordings.
The Deep South Quartet was offered an opportunity to move to the Washington, D.C. area where they worked for a few months before disbanding. I've been told that Jay Davis and Frank York were members of the quartet when they disbanded, but this writer is not familiar with them or any of their work with the group.
When the group disbanded, Jimmy joined the LeFevres as bass singer. Shortly thereafter, Rex Nelon joined the group and Jimmy moved to baritone. He remained with the LeFevres for more than ten years. Jimmy still maintains a wonderful voice as evidenced by his work with the current Sunshine Boys. He joined the Palmetto State Quartet on the stage this year at the Grand Ole Gospel Reunion, and sounded as good as any bass singer on the program.
Several years ago, the master tape for a Deep South Quartet album was discovered. The quality was pristine. When Jimmy Jones found out about the discovery, he said that he remembered recording it, but thought it had long been destroyed. Although the music itself was superb, there were no funds available to release the recording, so the project was shelved. Shortly thereafter, the group disbanded, much to the disappointment of its loyal fan base.
Such is the life of many wonderful groups from the early years in gospel music. Without a major recording contract to support them, and without strong promotional and financial help from within, excellent groups from this era simply disbanded. Such was the case of one of my favorite "forgotten groups" of all time, the Deep South Quartet.
Author: .(JavaScript must be enabled to view this email address)
Written: 10/31/2003
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Category: SG History 101
Comments: 32
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Another fine entry! You don't hear the Deep South Quartet mentioned much these days, but given the people who made it up and the quality product they produced, true quartet fans will never forget them!
I don't know how you keep it all straight. Another fine job telling the story of a great quartet. I would hate to play 7 degrees of separation on SG artists with you!! Might be fun though. Thanks for all you do John.
Another great article John, how do you keep pumping them out?
I find it interesting that there were many changes in personel in groups in the old days too. This should be of some comfort to all those who are concerned about the stability of SGM with all the changes we see happening today. It's always been that way, and may always be that way.
Once again, great article.
Deon Unthank
SoGospelNews.com
My Blog
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Once again John you never cease to amaze me with your thorough knowledge of groups from the past. With your columns, I can keep up with who went where after leaving the other. Wait, I'm about to confuse myself??? Thanks and keep them coming!!!
John,
John,
:thumbsup:
Another excellent article John. It is interesting to note, as Deon already has, how even back then, personel changes ran rampant among groups.
I had heard OF the Deep South Quartet, but knew virtually nothing about them. Thanks for this article.
:thumbsup:
Very well written, and very good research. I don't know how you get all the info, but keep it up buddy.
John: Fine treatment of a group that I was not as familar with, although I have heard some of the "old timers" mention them. All a part of keeping the heritage alive. As usual, I was interested to find an earlier history of many familiar names. Thanks again for filling a unique void.
Thank you all for your kind comments.
Dear John : When we moved to the D.C. area,we were on the Jimmy Dean T.V.Show,"The Town and Country Jamboree".We also had our own T.V.Show,The Town and Country Matinee,in the
fine article featuring a man i always admired, jimmy jones, keep up the good work. don grimes
Well done John. Thanks for making everyone aware.
John...Another "great" article..A bunch of info that most fans (and a lot of folks in the "business") never knew...keep 'um comin'...Wayne
John...Can u answer this for me ???was one of the Deep South's songs "I'll Loose My Blues In Heaven"??That sure comes to mind.....Wayne
Wayne,
John, You're right on the ball. I was going to answer if yu weren't around (maybe at the Masonic Lodge). I alwasys liked their rendition of "I Got Tired".
How many are like me and think Jimmy Jones oughtta be in the Hall of Fame?
He'd have my vote, Alan!
Alan...
Hall of Fame....right on..
I am so glad to see this article about the Deep South Quartet. It not only brought back memories of DSQ but of the Rangers Quartet as well. Great story.
I busted my guts a few months ago looking for CD's by the Sego Bros & Naomi, but the 'history' lesson you give us about 'old' groups, makes the Segos sound like new comers. Oh, I just love the Segos!!
John Crenshaw, I agree that Jimmy Jones should HAVE ALREADY been in the hall of fame. Another day should not pass before he is inducted. No one has contributed to Gospel Quartet Singing anymore than Jimmy.
Someone please help me out. In an earlier post someone mentioned the HOMELAND HARMONY QUARTET. The only member's name I can recall right now is CONNOR HALL. I'm referring to a time period in the early to mid fifties. I used to have some of their 78rpm records, not 33 1/3 long plays, but the old hard ones that I purchased at a singing in the Cushing, Texas, high school auditorium.
Hi, Glenn. . .
Seeing as how this is an OLD story now, I have a question should anyone read this again. My grandfather, Bobby Strickland (not the same one as the Statesmen), sang with the Deep South Quartet many years ago with Cy Easters and Nick Demos. Could any of you SG historians tell me if this was the same group? Thanks.
My father was Bill Shedd, he sang with the Deep South Quartet. I think it was in the 60's. He sang the song " I Cannot Fail The Lord" I grieve daily at his passing on March 19, 2008. He was not only the absolute best father a girl could be blessed with, but also my one and only true FRIEND. I Love and Miss You Dad!
What a nice, well done, informative article of the Deep South Quartet. I heard them during their early stages in Centralia, IL. They were on the same program with the Blackwoods and the Statesmen. Believe it or not, their new 45rpm record of Heavenly Love was one of my favorite purchases that evening. I was a young man, and $1.00 was a lot of money! The Deep South were very close to being on top with the Blackwoods and Statesmen. They just needed financial backing!
John Dennis Smith recently gave me two old 78 recordings of the Deep South Quartet on Deep South Records. John says his father, I.D. Smith, is singing with the Quartet on the records. They are singing "Peace In The Valley" and "It Is No Secret" on one record; "Waiting For His Return" and "Mansion On The Hilltop" on the other record. On both records this is written: "Quartet Piano Acc." I met I.D. years ago and he did in fact speak of singing with a Quartet, but didn't name the group. Do you have any history of I.D. Smith ever singing with the Deep South Quartet years ago? All the best, HT
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